From underground raves to iconic venues, every Vlad Cood project fuses culture, vision, and unforgettable execution. These aren’t just events—they’re movements. His mission? Bring people together through music, energy, and moments that last.
In 1989, before EDM was a global industry and before raves filled stadiums, Vlad Cood founded Feel Good Entertainment with a simple but audacious goal: to bring people together through the power of music and radical self-expression. What followed wasn’t just a company—it was a cultural engine that helped shape an entire generation of West Coast nightlife.
Feel Good Entertainment became a cornerstone of the underground dance scene, producing hundreds of groundbreaking, genre-defining events across Northern California. All-Night Gatherings such as; Love Affair, MegaBuzz, Spirit of Giving, Splendor Blender, Experience, Casper, Anthem, Forever, We are the Future ... just to name a few. These weren’t just massive overground parties—they were movements. From laser-lit warehouses to sprawling outdoor campout festivals, each show carried a pulse of creativity, freedom, and inclusion. Vlad wasn’t just producing DJ dance parties — he was building moments that stayed with people for life.
As one of the most influential pioneers of American rave culture, Vlad pushed boundaries with both scale and soul. Feel Good’s events combined production value with heart—massive sound systems, immersive lighting, and a community-first ethos that set the tone for what the scene could be.
The legacy? A generation of ravers who found their tribe. A region that still echoes with the rhythms Vlad helped define. And a blueprint for nightlife that didn’t chase trends—it created them.
Helping to shape West Coast nightlife.
In a day and time, now difficult to imagine, instant access to real-time information was challenging. The early 90's were times of pagers, pay phones and paper media. Knowing where the party was, and having that info filtered for a target market audience for simple consumption was a vacuum that Vlad filled by producing the daily Buzz-line message. It was a phone number that Vlad would record a voice greeting ever day summarizing what was happening right now. It was a primordial 5 Minute podcast you called to hear. It was convenient and always free in the age of 976 numbers.
Every caller would hear the rundown of the parties determined by Vlad to be the pics of the day, and on the nights when Vlad was producing his own event, there was no point to send anyone elsewhere, so on such nights the Buzz line was dedicated exclusively for a Feel Good party.
Over the 12 years of recording the BuzzLine every day, sourcing, selecting and extending information access for clubs, raves and parties taking place, day and night, to and average of 10,000 callers a day, and sometimes as many as 30,000 callers a day (which would at times crash the entire Pac-Bell Voice Mail server system) ... Vlad finally sunset'd the BuzzLine in 2004, cell phones, email, websites, and online sources of party listings made the BuzzLine obsolete.
During its time, the BuzzLine was the go to, one and only , trusted and reliable FREE source for night life community information. It alowed Vlad to influence the positive messaging in the scene, inform, about bad actors, highlight the best parties, and warn of shady fly-by-night promoters trying to exploit the scene. It was more than an information source, but a influential voice thoughout the 1990's hay-days of the rave scene.
A legend reborn.
From 1996 to 2000, Home Base wasn’t just a venue—it was a revolution in real time. Spearheaded by Vlad Cood, this 250,000 square foot warehouse became the epicenter of West Coast rave culture and a proving ground for what large-scale event production could truly be.
Vlad didn’t rent a space. He built an ecosystem. At its peak, Home Base produced over 300 massive events, drawing 15,000 to 30,000 people per show and supported by a crew of over 300 staff and production personnel. These weren’t off-the-grid parties—they were professionally run, logistically complex, and emotionally unforgettable. Vlad turned raw industrial space into a cathedral of sound, lights, and human connection.
Each event was an orchestration of chaos made sublime—security, medical teams, artist wrangling, ticketing, vendor logistics, and a full production build-out done 50 times a year during its prime. The scale was jaw-dropping, but what truly set Home Base apart was the vibe: inclusive, intense, euphoric, and deeply communal.
Credited by many as the birthplace of the Massive EDM movement, Home Base became a launchpad for what the global scene would eventually become. And at the heart of it all was Vlad—engineer, promoter, and cultural architect—proving that the underground didn’t have to stay underground forever.
Home Base interior.
Before there were LED walls or mega-clubs, there was a feeling—a code of conduct passed hand-to-hand under blacklights and warehouse rafters. Vlad Cood didn’t just witness the birth of American rave culture—he helped define it. In the early 1990s, he coined PLUR: Peace, Love, Unity, and Respect.
What started as a personal ethos quickly became a global mantra. PLUR spread from underground dance floors to mainstage festivals, offering ravers a shared language rooted in empathy, connection, and radical acceptance. It wasn’t just a slogan—it was how you treated people at 3 a.m. in a crowded room pulsing with light and bass.
For Vlad, PLUR wasn’t about branding—it was about survival. In a scene that was raw, rebellious, and growing fast, it gave the culture a moral compass. It reminded everyone why they were there: to connect, to celebrate, and to look out for one another.
Today, PLUR remains a guiding principle for EDM culture worldwide. And while many have adopted it, few know where it began: with a visionary builder who saw that rave culture could be more than a party. It could be a community.
Peace. Love. Unity. Respect.
By the early 2000s, The Edgewater West Hotel was a well-known Special-Use Hotel at the doorsteps of the Oakland Airport, and it needed a new identity. That’s where Vlad Cood came in. From 2000 to 2002, Vlad stepped in as marketing manager and creative director, charged with overhauling the space, reimagining its programming, and breathing new life into a venue that had amazing potential.
And he delivered.
Vlad didn’t just tweak operations—he restructured everything. From systems and staffing to bookings, sound, and lighting, he restructured the dilapidated hotels' programing from the inside out. The transformation was fast, deliberate, and noticeable. Under his leadership, the venue's profile rose dramatically. The energy changed, and a new scene was created, as the Hotel Ibiza entered the city’s nightlife conversation as something fresh, relevant, and forward-looking.
Vlad’s legacy there wasn’t just in what he fixed—it was in what he foresaw. That even iconic spaces need reinvention. That talent needs trust. And that sometimes, the best way to preserve a venue’s soul is to tear it down to the studs and rebuild it with purpose.
His time at Hotel Ibiza was short but pivotal. It helped define his reputation as not just a creator of new spaces, but a resurrector of old ones—with a talent for turning potential into presence.
Ahead of its time.
In 2002, Vlad Cood set out to redefine what nightlife could look and feel like in San Francisco. The result was Whisper Ultra Lounge—a 15,000 square foot, multi-level venue that blurred the line between nightclub, restaurant, gallery, and theater. It wasn’t just upscale—it was visionary.
Located in the heart of the city, Whisper was ahead of its time. Each of its four distinct levels offered a curated experience: plush lounges, ambient dining, immersive lighting, and premium sound. It quickly became the go-to destination for a generation looking to elevate their night out without losing authenticity or edge.
Vlad was at the helm—creative director, operator, and systems architect. He managed a team of over 80 staff and multiple managers, overseeing every detail from music programming to hospitality flow. Whisper wasn’t just a hotspot—it was a statement: that nightlife could be elegant and electric, refined and raw.
The venue ran successfully for seven years, closing in 2009 only after fulfilling its purpose and leaving its mark. For Vlad, Whisper was a high-gloss experiment in form and function—and proof that great spaces aren’t just built. They’re choreographed.
Whisper Ultra Lounge interior.
In the mid 2000s, while most nightlife was chasing bottle service and velvet ropes, Vlad Cood leaned into something deeper: intimacy and mystery in a late-night atmosphere. The result was INCEST After-Hours, where INdustry + sCene + ESTablishment converged into a lush, sensual nightlife concept inspired by erotic art, ancient aesthetics, and high-end design - for only the SF A-List movers and shakers.
This wasn’t a gimmick. It was a fully realized world—red velvet, gold-leaf detail, textured lighting, and an energy that blurred the line between theater and nightlife. Vlad conceived and built Incest as a transportive experience: part lounge, part performance space, part secret society. Every detail was deliberate—from the custom furnishings and signature scent, to the curated music that pulsed like a heartbeat under every conversation.
It was bold. It was controversial. It was unforgettable.
Running Incest took precision. Vlad wasn’t just building mood—he was managing operations, overseeing staff, and navigating the unique challenges of a venue built around sensuality and discretion. It required balance, restraint, and creative discipline, all of which he brought to the table in full.
Though short-lived, INCEST After Hours lives on in stories and memories. It’s still whispered about as one of San Francisco’s most daring nightlife experiments—beautiful, immersive, and unapologetically adult.
Kama Sutra Club interior.
Before electric scooters flooded the market and EV culture went mainstream, Vlad Cood was already out front—literally. In 2003, he launched Joyride Motors, a bold and wildly ahead-of-its-time venture specializing in electric chopper-style scooters and mini-motorcycles. It was green energy meets garage-built cool, and it turned heads fast.
Joyride wasn’t just about mobility—it was about identity. Vlad saw a gap in the market: a generation that craved freedom, efficiency, and self-expression, but didn’t want to sacrifice style or sustainability. So he built a brand around that idea. Joyride scooters were lightweight, high-torque, ultra-stylish machines that looked like art and moved like adrenaline.
He designed the bikes. Built the website. Managed manufacturing, sourcing, branding, and fulfillment—all out of a converted warehouse space with showroom vibes and startup grit. Vlad ran it like a mad scientist with a customer service department: part tech entrepreneur, part hot rod evangelist.
Long before Bird, Lime, or Tesla had the cultural foothold they do now, Joyride was already putting electric transport on the street—and doing it with flair. It was a niche brand with mass-market vision. A piece of design history that proves Vlad’s instincts have always been ten years ahead of the curve.
Ahead of its time.
In May of 1999, Butter opened. It gave San Francisco its most unapologetic, unforgettable, and unexpectedly iconic bar. Born out of a desire to create a space that felt real in a city already leaning toward gloss, Butter became an anthem in brick and neon, as the first Rave-Born DJ bar in SF, and perhaps anywhere, presenting a DJ inside a bar setting.
This was no concept bar. It was pure instinct—Airstream panels on the walls, kitschy cocktails in pouches, and a playlist that never apologized. Vlad built it himself, in every sense: designing the look, tuning the flow, hiring the team, and operating the bar personally, serving up a huge nightclub experience out of a small yellow house. No pretentiousness. No hype machine. Just sweat, vision, and a feel for what people wanted before they knew they wanted it.
The result? A venue that didn’t just last—it imprinted itself on the culture. Butter became a rite of passage, a weekly tradition, and a magnet for artists, nightlife workers, neighborhood regulars, and visiting misfits. It’s where stories started—and sometimes ended. It’s where the lights were low, but the energy was always electric. And it's also where the REDBULL Vodka was created - yup ... it all started here at Butter - on 2 Turntables and a Microwave.
Over two decades later, Butter still runs hot, as a regional institution and Official SF Legacy Registry Business #182. Vlad’s original blueprint remains untouched: give people an authentic place where they can let go, be seen, and not give a damn about what comes next.
By 2016, Vlad had done the impossible—built a dive bar with cult status and kept it alive for nearly two decades. But he wasn’t done. With Buzzworks, he aimed to build something new: a fully modular venue that could serve as a sports bar, lounge, private event space, DJ venue, and community hub—all in one.
Located in SoMa, Buzzworks is 6,500 square feet of kinetic design. Over 30 HD screens, high ceilings, movable furniture, ambient lighting, and a layout engineered to flip from game night to dance party to fundraiser without skipping a beat.
Vlad’s vision was about adaptability—creating a space that could breathe with the city. One night it’s wall-to-wall fans watching the Warriors. The next, it’s queer artists performing under low lights and big bass. And behind the scenes? Vlad, building the systems, managing the staff, and staying relentlessly present.
Buzzworks is more than versatile—it’s intentional. It was created not just to serve drinks, but to serve moments. The kind of venue that doesn’t demand attention—but earns loyalty. And it’s become a vital thread in San Francisco’s social fabric because of that.
MegaBuzz isn’t just Vlad Cood’s next project—it’s his legacy in motion. Slated to launch as an expansion of Buzzworks, MegaBuzz is a one-of-a-kind immersive venue that merges nightlife, digital art, and experiential technology. Every wall, floor, and ceiling will be wrapped in programmable LED panels—transforming the space into a living, breathing canvas of sound and light.
But this isn’t a gimmick. It’s the next evolution of the environments Vlad has been designing for decades. Where Butter gave people freedom, and Buzzworks gave them flexibility, MegaBuzz gives them immersion. Think: real-time reactive visuals, VR-enhanced performances, AI-curated lighting, and events where the room itself becomes the performer.
This is nightlife reengineered. A hybrid venue that functions as a club, creative lab, and brand activation platform. From digital art showcases to full-body sensory installations, MegaBuzz will host the kind of experiences that people don’t just attend—they remember.
Construction is underway. Permitting and planning are in progress. Vlad is hand-picking collaborators and investors with vision, patience, and passion. This is not just another club—it’s a high-impact cultural tech installation, built from the ground up by a founder who’s done it all and is now aiming higher than ever.
Exterior of MegaBuzz (render).
Michael Anthony Levitt is a seasoned hospitality and marketing professional with over 20 years of experience. He has managed campaigns for top brands like Stolichnaya Vodka and Patron Tequila and contributed to the success of Supper Club San Francisco. Michael is also an owner of Monarch and The Great Northern clubs in San Francisco.
Heather Gallagher is a visionary leader in experiential entertainment, renowned for her expertise in transformative events and the experience economy. She led technology and design initiatives at Burning Man for 17 years and launched an immersive art experience in Las Vegas. Heather is a Founding Member of the World Experience Organizatio
Heather Gallagher is a visionary leader in experiential entertainment, renowned for her expertise in transformative events and the experience economy. She led technology and design initiatives at Burning Man for 17 years and launched an immersive art experience in Las Vegas. Heather is a Founding Member of the World Experience Organization (WXO), influencing the field with her strategic vision and creativity.
Julian Reyes is an XR Producer and Events Specialist with over 20 years of experience in
3D animation, VR, and entertainment. He founded the Virtual Worlds Museum and has held positions at Meta and Cisco Systems.
Julian's company, Keyframe Entertainment, produces innovative VR experiences. As a DJ and producer, he has contributed to
"Electro
Julian Reyes is an XR Producer and Events Specialist with over 20 years of experience in
3D animation, VR, and entertainment. He founded the Virtual Worlds Museum and has held positions at Meta and Cisco Systems.
Julian's company, Keyframe Entertainment, produces innovative VR experiences. As a DJ and producer, he has contributed to
"Electronic Awakening" and "The Bloom
Series," blending technology, music, and art.
MegaBuzz is supported by experienced team members from BuzzWorks and Butter. Average tenure is over 10 years, including long-term key employees and resident DJs who have been integral to Vlad's previous ventures. This dedicated team provides a strong foundation for MegaBuzz's future expansion.
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